Vol. 44 No. 4: 
Shirley Temple (Francis Guzman)  
Tony Scott and Post-Classical Hollywood (Abel Campos) 
Cinematic Identification (Jesse Meyers)

Masculinity in Gran Torino (Lindo Sorrentino)

Vol. 44 No. 3:
Kuhle Wampe and Monsieur Verdoux (Andrew Phipps) 
Rubble Films from Berlin and Munich (Lisa Natschowny) 
Ecocriticism and The Thin Red Line (Simon New)
Japanese Melodrama and Crying Out Love, In the Center of the World (Dimitri Youskos) 
 

Vol. 44 No. 2: 
The Girl with the Dragon Tattoo (Kassie Orlando)

Kiarostami's Shirin (Jemima Poot)  
A Film Unfinished (Li Leng) 
Inland Empire (Carloz De Souza)
Dog Day Afternoon (Harriet Hope) 
 

Vol. 44 No. 1: 
No Country for Old Men (Anton Guidin) 
S.A. Truth and Reconciliation Films (Hetchie Armstrong)  
Bryanston Noir of 1960s (Malcom Wood) 
Jia Zhangke’s 24 City and I Wish I Knew (Jessica Conrich) 
Kubrick’s 2001 (Amanda Bolt)  

 

Print Back Issues (available on request, $8 per issue)

X,1 Articles on Kazaan, Godard, Agee, Leon

X,3 Retrospectives on Hitchcock, Wajda

XI,1-2 Special Tenth Anniversary Anthology Issue

XI,3 Film Noir, Leave Her to Heaven, The Reckless Moment, Despair

XII,3 Wiseman’s Welfare, Szabo’s Mephisto, Pasolini’s Pigsty, Schlondorff’s Swann in Love

XIII,2 Special Issue on Feminist film critisism, edited by Janice Welsch

XIII,3 Providence, Forbidden Planet, Cries and Whispers, Acting Styles

XIV,1 Anna Magnani, Pasolini, Music in The 400 Blows

XIV,2 The Big Clock, Gabriela, children in Cinema, interviews, book reviews

XIV,3 Special Issue on Psychoanalysis and Cinema, editied by Sonya Jones

XV,1 Special Issue on Modern British Cinema, edited by Luciana Bohne

XV,2 Pasolini’s Theory and Practice, Modernist Films by Ackerman, Duras, and Rocha, Kings of the Road, La Soufriere, The King of Comedy

XVI,1-2 Special Double Issue on British Cinema, 1900-1975, edited by Wheeler Winston Dixon

XVI,3 Disney and Warner Bros. animation, female narration, Swing Time, Wings of Desire

XVII,1 Cavalier’s Therese, Albert Brooks, Kricfalusi interviews, books

XVII,2-3 Special Double Issue on “Interpretation, Inc.”: Issues in Contemporary Film Studies, edited by David Bordwell

XVIII,1 Kuleshov’s Mr. West, Kurosawa’s early thrillers, Thelma and Louise

XVIII,2 Central American Cinema

XVIII,3-XIX,1 Special Double Issue on Fred Zinnemann, edited by Arthur Nolletti, Jr.

XIX,2 Vertigo, Naked, Days and Nights in the Forest; Eisenstein and Woody Allen

XIX,3 The New Auteurism: Egoyan, van Ackeren, Holland, Pasolini, Scorsese

XX,1-2 Special Double Issue on New Film Theory, edited by Wheeler Winston Dixon

XX,3 Special Issue on the Western, edited by Michael Vella and Luciana Bohne

XXI,1 Blade Runner, The Bicycle Thief, Scarlet Street, British B-Films

XXI,2 Special Issue on Post-Communist Cinema, edited by Andrew Horton

XXI,3 Basic Instinct, The Big Heat, feminist and gay male spectatorship, remakes, Trinh T. Minh-ha interview

XXII,1 Special Issue on Genre, edited by Christopher Orr

XXII,2 Hitchcock’s Silent Films, Schindler’s List, The Decaloque

XXII,3 Early Avant-Garde, Le Mepris, Bound, books

XXIII,2-3 Special Double Issue on Douglas Sirk, edited by Gerd Gemunden

XXIV,1 John Woo, Elvis, Henry Fool, The Full Monty

XXIV,2 Leigh’s BBC Films, Rope, To Live, Syberberg on Adolphe Appia, books

XXV,1 The Thin Red Line, Une Femme Est une Femme, Regeneration, Cain and Noir

XXV,2 Wong Kar-Wai, Australian films in America, Bazin on film technique, books

XXV,3 Special issue on New Zealand Cinema, edited by Andrew Horton

XXVI,1 Return of Martin Guerre/Sommersby, Stage Fright, Crouching Tiger, Hidden Dragon, books

XXVI,2 Being John Malkovich, To Be or Not To Be, La Nouba

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